I’ve talked in length about the ethical quandaries surrounding generative AI, from the
industrial-scale theft of intellectual property to the ways it
harms both the natural as well as digital environments due to its extractive nature. But I also want to talk about the aesthetics of the slop output we have to contend with now on a regular basis, and I don’t just mean the political side of it—I and many others have been sounding the alarm that
genAI lines right up with aesthetics of fascism. Rather, I want to explore the relationship between the slop machines and true art forms, and why
we just aren’t seeing anything meaningful and lasting being produced using these problematic technologies.
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Vibe CodedTheme music by Ben Elson
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